Everyday War, Ashes / Ashes, Los Angeles, 2016

Installation View, Altered Circulatory Systems, Recombinatory Systems, 2016
Altered Circulatory Systems, 2016, original CIA-counterfeit 1961 Cuban 20 peso note: original 1942 “Breton fisherman” franc note collage with 1943 German/Vichy stamp
Recombinatory System, 2016, mixed media
Installation view, Everyday War, Ashes/Ashes Los Angeles
Ekphrasis/Extended Phenotype (À rebours, Là-bas, et al.), 2016, Nidularium, Caladium, Alocasia metallica, Anthurium, Amorphophallus konjac, Echinopsis, Tillandsia lindeni, Cypripedia, Antilles Fly-trap, Cephalothus, Nepenthes, Sarracenia, Drosera, Hyoscyamus niger (Henbane), Artemisia absinthum (Wormwood), Atropa belladonna (Deadly Nightshade), Datura inoxia (Angels’ Trumpets), Croton, Begonias, Cycad, Cattleya, Rhizomes, soil, ceramic, LED grow lights; installation view as part of Everyday War at Ashes/Ashes curated by Keith J. Varadi

Everyday War

Curated by Keith J. Varadi

ASHES/ASHES, Los Angeles, US

November 12 – December 30, 2016

In Pittsburgh, smog and streets once touched lips to form a fantastical liquid forest. On the weekdays, people would cycle through shirts like interns at training camp. These days, newly native eyeballs are kaleidoscopic binoculars through which search engines can be selfmotivated to the point of being self-driven. An IP address in New Brunswick finds no results for Bruce Springsteen. This can be interpreted as a self-motivated (or self-driven) sign to give up on nostalgia. Fact: There is no crying in stadiums. Also, there is no crying in the South, either. You read a blank billboard built on the False Word of God and you want to cry, but in this light, all you can do is squint. You stare at a statue carved by the sweaty hands of a half-assed apologist and you want to cry, but in this heat, all you can do is sweat. People getting fired; people getting fired up. It’s a new millennium, and any sane person wonders: “Why would Millennials want to move to New York in this climate?” And it’s like every week, The New York Times publishes a freshly bourgeois article about Los Angeles, and instead of reading them anymore, I just watch strip malls strip down to nothing and entire hillsides drink gallons of Muscle Milk at the speed of Bravo-inspired intercuts. While I’m at the office, everyone else goes skinny-dipping like baristas with bones in hand. This is the new, and now, tongues wag into the night.

ASHES/ASHES is pleased to present Everyday War, an exhibition curated by Keith J. Varadi, featuring Scott Benzel, Steve Kado, Jenine Marsh, Quintessa Matranga, Erin Jane Nelson, and Naoki Sutter-Shudo. The exhibition will be on view November 12 – December 30, 2016, with an opening reception on Friday, November 11 from 7–9pm.