projects

Part-Objects Book Release LA Art Book Fair LACA, Mark Hagen / Scott Benzel ALAC

COVER copy

 

Scott Benzel Part-Objects Book Release LA Art Book Fair and LACA Jan. 30-Feb. 2 published by Human Resources Press and Lockitch Press, Texts by Eric Kim and Catherine Taft. Limited edition hardcover.

http://lacarchive.com/ Los Angeles Contemporary Archive

http://laartbookfair.net/ MOCA Geffen Contemporary Jan. 30- Feb. 2

Mark Hagen and Scott Benzel Coprolite Selections, Art Los Angeles Contemporary Jan. 30-Feb. 2

Sundial

http://artlosangelesfair.com/press-125

Shanaynay Paris; Perform Chinatown w Anita Pace; Public Fiction; Autocenter Berlin

LAAIR-Book-Angleweb

LAAIR-3web LAAIR-13web LAAIR-9web LAAIR-4web LAAIR-1web LAAIR-8web LAAIR-14web LAAIR-10

http://www.shanaynay.fr/

LAAIR/Air de Paris, live performance at Shanaynay, Paris, 2013

LAAIR / Traveller’s Companion Addenda solo show opens June 29, 2013

List pdf

PartObjectsWeb

Part-Objects: Perform Chinatown LA with Anita Pace July 27, 2013

Audio from PART-OBJECTS, a collaboration with Anita Pace, Perform Chinatown 2013

The Stand In Public Fiction Sept. 2013: Review

autocenter-A4size

Groupshow Autocenter Berlin 25.10.13

in-the-good-name-of-the-company-artworks-and-ephemera-produced-by-or-in-tandem-with-the-colby-printing-company-12.gif

http://www.artbook.com/9781939799036.html 

Collected Music and Sound Works

LAAIR/Air de Paris, live performance at Shanaynay, Paris, 2013

Audio from PART-OBJECTS, a collaboration with Anita Pace, Perform Chinatown 2013

Spectrum (installation audio excerpt), (2013) Human Resources

Scott Benzel plays selections from the Billboard Hot 100 for the week of Feb. 28, 2013 (2013) Dem Passwords, LA

 The Recitation from Profondeurs Vertes Mike Kelley and Scott Benzel Musee Louvre Paris (released 2012)

Exposition Chaos from A|D Liz Glynn and Scott Benzel with Corey Fogel and Giles Miller (2012) Public Fiction, LA

Sines (for Michael Asher) Excerpt 2 channel version of a 4 channel installation (2011) CAM St. Louis

Concentric Circles (before and after David Smith) Mvmt I for 3 lock-groove lacquers and string trio (2010) LACMA

Fewg  Flash Bam Pow Music from the Trip (1967) in the style of…(2009)  SASSAS Program PDF * **

Inversion I (retrograde) Excerpt Inversion I (retrograde) after Dennis Wilson (2010) Blum and Poe* **

Blak Bloc I Excerpt  Blak Bloc II Excerpt BLAK BLOC FOR STRING QUARTET AND FEEDBACK (2009)* **

Nativity Electronique Coda from Day is Done- Original Soundtrack by Mike Kelley and Scott Benzel (2005)*

*full album available on iTunes ** full album available on Spotify 

Human Resources Los Angeles April / May 2013

20130515_SB_HumanRes_031 20130515_SB_HumanRes_032 20130515_SB_HumanRes_029 20130515_SB_HumanRes_017 20130515_SB_HumanRes_023 20130515_SB_HumanRes_022
PianoCUSBWeb HRWidePianoJW
SB_HumanRes_Piano600x400
Spectrum (installation audio excerpt), (2013) Human Resources
20130515_SB_HumanRes_010 20130515_SB_HumanRes_009 20130515_SB_HumanRes_008 20130515_SB_HumanRes_007

Human Resources presents Scott Benzel and What does possession mean to you? Opening and Performances Saturday April 27 7-10PM

Shows Close Saturday May 18

Artforum Must See Show

http://humanresourcesla.com/

Object index pdf

 

Human Resources is pleased to present two concurrent shows by Scott Benzel. The downstairs space will feature a show of the artist’s recent work including large-scale installations, vitrines containing new works, and performances. The upstairs will feature What does Possession Mean to You? a selection of works and objects from Benzel’s collection to be deaccessioned, stored, or promised to individuals and institutions following the close of the show.

 

A new performance, Un Coup de Des / Presence, and a ‘recombination’ of Benzel’s Folk History and Non-Genre I for Female Black Metal Guitarist and Belt Sanders (2012), will take place during the opening Saturday April 27 from 7-10 pm.

 

Scott Benzel is a Los Angeles-based artist and composer. His work was featured in Made in LA 2012 at the Hammer Museum and has been shown or performed at the Los Angeles County Museum of Art, the Museum Of Contemporary Art Los Angeles, LAXART, and the Contemporary Art Museum St. Louis. This is his second solo show at Human Resources.

Human Resources is a team of creative individuals which seeks to broaden engagement with contemporary and conceptual art, with an emphasis on performative and underexposed modes of expression.

W.W.A.R./ Die Dritte Generation at ALAC

Photographs Jennie Warren iPhone photographs by Cindy Bernard and Scott Marvel Cassidy

Scott Benzel: W.W.A.R./ Die Dritte Generation

Program PDF

Review by Sam Bloch PDF

4pm, Saturday Jan. 26 ALAC Ruskin Theatre Santa Monica Airport

Art Los Angeles Contemporary presents the debut of Scott Benzel W.W.A.R. / Die Dritte Generation for belt sanders, amplified newton’s cradles, bass speakers, glass, magnetic tape,viola, violin,  and voice.
Taking as starting points Rainer Werner Fassbinder’s Die Dritte Generation and Arthur Schopenhauer’s The World as Will and Representation, Benzel’s ‘performative environment’ features performers installing and then acting upon various musical and visual constructions (some repurposed from previous performances) including a belt sander racetrack, amplified newton’s cradles, a coffee table supported by bass speakers, and a long magnetic tape loop.

http://artlosangelesfair.com/programming

Contribution to An Homage to Mike Kelley, MOMA PS1, MOCA

An Homage to Mike Kelley presented by Gagosian Gallery

 also LA Art Book Fair, MOCA

List of Contributors

Index of Works

A Minor Canon, contribution to An Homage to Mike Kelley:


The Psychotronic Video Guide To Film

by Michael J. Weldon

Maldoror

by Comte De Lautreamont

The Sad Sack (Classics of Modern American Humor Series)

by George Baker

Harry Partch: Enclosure 3

by Harry Partch, Philip Blackburn

The four seasons and the archangels: experience of the course of the year in four cosmic imaginations;: Five lectures given in Dornach, Switzerland, from 5th to 13th October 1923

by Rudolf Steiner

The Center of the Cyclone: An Autobiography of Inner Space

by John Cunningham Lilly

Japrocksampler: How the Post-War Japanese Blew Their Minds on Rock ‘n’ Roll

by Julian Cope

A Power Stronger Than Itself: The AACM and American Experimental Music

by George E. Lewis

The All-American Outhouse: Stories, Design & Construction

by Bob Cary

Reich Speaks of Freud : Wilhelm Reich Discusses His Work and His Relationship with Sigmund Freud

by Wilhelm Reich; Higgins, Mary; Raphael, Chester M.; Pol, Therese Reich

Doris Day

by Eric Braun

Psychedelic Art

by R.E.L. Masters, J. Houston

Text–Sound Texts

by Allen Ginsberg, John Cage, Philip Glass,Claes Oldenburg, Jack Kerouac, Richard Kostelanetz (Editor)

The Gertrude Stein Reader: The Great American Pioneer of Avant-Garde Letters

by Gertrude Stein, Richard Kostelanetz (Editor)

H. P. Lovecraft: Against the World, Against Life

by Michel Houellebecq

The Psychoanalysis of Children (The Writings of Melanie Klein, Vol. 2)

by Melanie Klein, H. A. Thorner (Editor), Alix Strachey(Translator)

Spirit World

by Jack Kirby

Psychic Photography: Threshold of a New Science?

by Hans Holzer

Detroit Television (Images of America)

by Tim Kiska , Ed Golick

Colour

by Rudolf Steiner

 

 


The Academy/The Chthonic at Eleusis at Public Fiction

The Academy/The Chthonic at Eleusis one person show at Public Fiction  September 21

With a live performance by Ezra Buchla

& a tape-loop by Scott Benzel:

Sines for Michael Asher 2-channel loop 15 ips – 7 ips- performed by Allison Wyper and Jos McKain

This stage of sorts will host a series of performances & events. Including:

A set of dinners by Liz Glynn on October 12th &13th.

A|D, a meal in five acts by Liz GlynnMusic orchestrated by Scott Benzel, performed by Corey Fogel and Giles Miller.

As part of Scott Benzel’s current exhibition The Academy / The Chthonic at Eleusis

“…most important of all is the structure of the incidents.
For Tragedy is an imitation, not of men, but of an action and of life,
and life consists in action, and its end is a mode of action, not a quality.”

 

A|D with Liz Glynn, The Academy/The Chthonic at Eleusis at Public Fiction

A|D, a meal in five acts by Liz Glynn
Music orchestrated by Scott Benzel, performed by Corey Fogel and Giles Miller.
As part of Scott Benzel’s current exhibition The Academy / The Chthonic at Eleusis
“…most important of all is the structure of the incidents.
For Tragedy is an imitation, not of men, but of an action and of life,
and life consists in action, and its end is a mode of action, not a quality.”


The Academy/The Chthonic at Eleusis one person show at Public Fiction opens September 21

With a live performance by Ezra Buchla
& a tape-loop by Scott Benzel:
Sines for Michael Asher 2-channel loop 15 ips – 7 ips- performed by Allison Wyper and Jos McKain

This stage of sorts will host a series of performances & events. Including:

A set of dinners by Liz Glynn on October 12th &13th.


Tape Music at the Schindler House

Tape Music at the Schindler HouseMAK Center, Los Angeles, featuring William Basinski, John Wiese, Jim Shaw and Mike Kelley, Pauline Oliveros, Cortical Foundation curated by Scott Benzel August 25, presented by SASSAS

Program.pdf

(Threnody) a beginner’s guide to Mao Tse Tung

Tape Music @ Schindler House, Venice Beach Biennial, Made in L.A., CCS Bard, Ballroom Marfa

BETWEEN CONNOISSEURSHIP AND HUMILIATION at Cirrus Gallery/Actual Size

EVENING SALE: BETWEEN CONNOISSEURSHIP AND HUMILIATION- WORKS FROM THE SCOTT BENZEL COLLECTION at Cirrus Gallery/Actual Size through May 5,2012

Download ipad/iphone Catalog in epub format, control click and save

Essay by Michael Haight pdf







BLACK BOX, BALL OF ARTISTS, WELCOME INN TIME MACHINE

http://pacificstandardtimefestival.org/events/black-box-by-liz-glynn/

Recombinant Folk History and Non-Genre I for Belt Sanders and Female Black Metal Guitarist, a performance/musical work at Black Box, curated by Liz Glynn Jan. 20, 2012 part of Pacific Standard Time, organized by LA><ART

http://rebeccataylorny.tumblr.com/

L.A. Weekly

http://pacificstandardtimefestival.org/events/ball-of-artists/

After Funhouse in the Style of the penultimate sequence of The Lady from Shanghai (1947) for 3 voices, rock trio, and saxophone

Greystone Manor, Beverly Hills, Sat. Jan. 28th

L.A. Times Review

Chinashop Magazine

http://www.sassas.org/welcomeinn/

John Cage Variations IV, realized by Scott Benzel and Dave Muller

January 29, 2012 Welcome Inn. Eagle Rock


Seven Los Angeles Artists/Sublimated Los Angeles

Seven Los Angeles Artists Index.pdf Seven Los Angeles Artists Essay.pdf Sublimated Los Angeles.pdf

Kathryn Andrews, Anonymous, Anonymous, Erin Cosgrove, Mark Hagen, Mike Kelley, Rodney McMillian, curated by Scott Benzel at Fellows of Contemporary Art, Los Angeles Oct. 15-Dec.17 2011

Sublimated Los Angeles: a film series highlighting little-seen films either shot

in or with strong ties to Los Angeles and suppressed for various reasons:

Play it as it Lays  (1972)          Let there be light (1946)

Pumping Iron  (1977)               Dial M for Murder in 3D (1954)*

Curated by Scott Benzel. *3D glasses provided

Two Installations at Contemporary Art Museum St. Louis

Contemporary Art Museum St. Louis: Front Room: 2 4-channel Sound Installations by Scott Benzel

String Quartet No. 2, 4-channel sound installation, string quartet; Sines for Michael Asher, 4-channel sound installation, sine wave generators

http://camstl.org/exhibitions/front-room/scott-benzel/

Sines (for Michael Asher) Excerpt. mp3 2 channel version of a 4 channel sound installation

Scott Benzel Web Guide pdf

Maldistribution @ Human Resources at Cottage Home

Trespass/Parade

Trespass/Parade: http://trespassparade.org/ presented by West of Rome, part of Pacific Standard Time, Oct. 2,1



Variations for Commercial Arcade (Gamut I-XXI), Cassia Streb, viola


Joy Prowl, Slogan for Trespass/Parade



Pig Rococo, Slogan for Trespass/Parade




Endless Bummer/Surf Elsewhere

Blum and Poe July 3 – August 28, 2010

Billy Al Bengston, Justin Beal, Scott Benzel, Gil Blank, Jennifer Bornstein, Carol Bove, Cameron, Anne Collier, R. Crumb, Lucy Dodd, Sam Durant, Roe Ethridge, Amy Granat, Ed Kienholz, Margaret Kilgallen, Nate Lowman, John McCracken, Adam McEwen, Dave Muller, Aleksandra Mir, Catherine Opie, Raymond Pettibon, Richard Phillips, Amanda Ross-Ho, Sterling Ruby, Ed Ruscha, Reena Spaulings, Vincent Szarek, Guyton \ Walker and Christopher Williams With a video program by Drew Heitzler and a ‘zine with text by Jan Tumlir

Animal Style

Animal Style: The New Warrior – Pepin Moore, Los Angeles

July 9th through August 14th 2010

Black Suns/Black Holes (Colby Posters) 2010, Engraving on letterpress posters, 14×17″

http://mankindproject.org/

Go check out the link above to learn more about the Mankind Project and their New Warrior Training weekends. My shrink was really pushing me to do this, so after researching it a bit, I found a new shrink. Shortly there after, my friends Genevieve and John Ryan told me they were opening a new gallery in Chinatown. They asked me if I would curate a summer show for them to operate as a forward to their official opening in September. Since I have a stoner attention span (and appetite), I immediately thought of the New Warrior Training and then In and Out burgers.

I’m guessing you know that besides their regular menu, In and Out has all these options that are off menu. Animal Style is extra everything. It got its name in the early sixties when In and Out first became popular with surfers. They would order their burgers this way. The clean-cut employees (In and Out still has weird born-again affiliations) referred to the shaggy surfer boys as animals, thus Animal Style. Coincidentally, early versions of the new warrior training sessions were called Wild Animal Weekends.

So there you go. Messy burgers and self-help retreats that lead to ideas of inclusive exclusion, cult behavior, new age family values, masochistic machismo rituals, spirit animal journeys, passive aggression, and enlightenment. I love California.

Artists in the exhibition include Justin Beal, Scott Benzel, Gil Blank, Jedediah Caesar, Matthew Chambers, Fritz Chesnut, Krysten Cunningham, Mark Hagen, Emilie Halpern, and Lucy Raven

For more information, please contact Pepin Moore at gallery@pepinmoore.com

Inversions I-IV Installation