Paris changing : revisiting Eugene Atget's Paris by Atget, Eugène; Atget, Eugène; Rauschenberg, Christopher;

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By Atget, Eugène; Atget, Eugène; Rauschenberg, Christopher; Nordström, Alison Devine; Rauschenberg, Christopher; Atget, Eugène; Bernier, Rosamond; Worswick, Clark

"Between 1888 and 1927 Eugene Atget rigorously photographed Paris and its environs, shooting in millions of images the city's parks, streets, and constructions in addition to its varied population. His photos preserved the vanishing structure of the ancien regime as Paris grew right into a glossy capital and demonstrated Atget as one of many 20th century's maximum and such a lot respected photographers." "In the overdue 1990s Read more...

summary: "Between 1888 and 1927 Eugene Atget conscientiously photographed Paris and its environs, taking pictures in hundreds of thousands of photos the city's parks, streets, and constructions in addition to its varied population. His photos preserved the vanishing structure of the ancien regime as Paris grew right into a sleek capital and proven Atget as one of many 20th century's maximum and such a lot respected photographers." "In the past due Nineties Christopher Rauschenberg revisited and rephotographed a lot of Atget's unique destinations. Paris altering gains seventy-six pairs of pictures, fantastically reproduced in duotone. through meticulously replicating the emotional in addition to aesthetic features of Atget's photographs, Rauschenberg vividly captures either the adjustments town has passed through and its enduring attractiveness. His paintings is either an homage to his predecessor and a creative learn of Paris in its personal right." "Each web site is indicated on a map of town, inviting readers to keep on with within the steps of Atget and Rauschenberg. Essays through Clark Worswick and Alison Nordstrom provide perception into Atget's existence and situate Rauschenberg's paintings within the context of alternative rephotography initiatives. The booklet concludes with an epilogue through the well known artwork writer Rosamond Bernier and a portfolio of Atget-inspired photographs of up to date Paris by means of Rauschenberg."--Jacket

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Go to sleep— ME—NO! I won’t— ME—You know—It’s not freaky enough, to just be beautiful— I’ve never felt beautiful— I always felt sexual . . and blind . . oh wowwy . . I’m losing my mind— I’m shutting down—It’s such a strange feeling . . going numb . . in front of everyone— It’s like a Self-inflicted drowning . . — To attract what? When did I go from a curious little girl, to an insatiable woman? Girl on the run . . Femme fatale . . devoted and . . divided. Are we all going crazy? — or, is it just me?

Clap) to tremendous appl y to care about sill em se t n’ do s an pe Euro smoking laws? anyway— We do what we want s— behind closed door xicollective comple r, te ac ar ch ue tr r Ou ties, es— childish activiti Attention deficit— patterns—genetics? st art—a sickness— . . SEX . . a lo Perversions— Lost sensuality— .. orange blossoms . The cruel smell of ns, ve—but expectatio lo in g in be ve lo I to be happy— make it impossible or satisfied . . hard . . I’ve tried . . so maybe it’s n ot in fashio n— Tradition—j ust seems so romantic .

And let the jacket fall loosely around her shoulders . . The rush coming back . . a little lost on purpose, hiding around corners, ME—”Dangerous— my body is on fire . . ” BG—She leaned against the cool wall of a stony church— It felt good, soothing— ME—I wonder how prostitution works— Does it ever feel good? Lost little souls—being taken advantage of— or taking advantage of— Is it just for money? Is it for attention? or—both— Women suffer— Everywhere— rules, rules, rules— conflicting needs .

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