By Sam Mickey
On the Verge of a Planetary Civilization provides a philosophical contribution to indispensable ecology—an rising method of the sphere that crosses disciplinary limitations of the arts and sciences.
In this unique booklet, Sam Mickey argues for the transdisciplinary value of philosophical thoughts that facilitate understandings of and responses to the bounds interested in ecological concerns. Mickey demonstrates how a lot the provocative French thinker Gilles Deleuze contributes to the advance of such thoughts, situating his paintings in discussion with that of his colleagues Felix Guattari and Jacques Derrida, and with theorists who're adapting his techniques in modern contexts akin to Isabelle Stengers, Catherine Keller, and the speculative realist flow of object-oriented ontology.
The publication makes a speciality of the overlapping existential, social and environmental facets of the ecological difficulties pervading our more and more interconnected planet. It explores the limits between
- self and different,
- humans and nonhumans,
- sciences and arts,
- monism and pluralism,
- sacred and secular,
- fact and fiction,
- the starting and finish of the realm, and lots more and plenty more.
Read Online or Download On the Verge of a Planetary Civilization: A Philosophy of Integral Ecology PDF
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Additional info for On the Verge of a Planetary Civilization: A Philosophy of Integral Ecology
Gilchrist (London: Adam and Charles Black, 1895), 32–33. 30. There are many readings that address ecological issues implicit in popular film since the middle of the twentieth century, including issues regarding wilderness, animals, economic development, technology, ecoterrorism, and environmental disaster. Some recent works include the following: Robin L. Murray and Joseph K. Heumann’s Ecology and Popular Film: Cinema on the Edge (Albany: SUNY Press, 2009); Sean Cubitt’s EcoMedia (New York: Rodopi, 2005); Pat Brereton’s Hollywood Utopia: Ecology in Contemporary American Cinema (Portland: Intellect Books, 2005); and David Ingram’s Green Screen: Environmentalism and Hollywood Cinema (Exeter: University of Exeter Press, 2004).
Deleuze, Desert Islands, 220. 17. In the second and seventh of Plato’s Epistles (314c, 341c), Plato distinguishes his own studies from what is written in his dialogues. In his seventh letter, Plato says that his pursuit of his studies cannot be expressed verbally, but emerges through sustained communion with “the thing itself” (to pragma auto) and “is brought to birth in the soul on a sudden, as light that is kindled by a leaping spark, and thereafter it nourishes itself” (341c). Introduction 37 18.
Jacques Derrida, Acts of Religion, ed. Gil Anidjar (New York: Routledge, 2002), 364. 23. 184–88. 24. Jacques Derrida, Specters of Marx: The State of the Debt, the Work of Mourning, and the New International, trans. Peggy Kamuf (New York: Routledge, 1994), 22. As Derrida says elsewhere, “the anachronism spreads the present”; that is, the enfolding of the past into the present opens the present to that which exceeds it, that which is otherwise than presence (Derrida, Circumfession: FiftyNine Periods and Periphrases, in Jacques Derrida, Geoffrey Bennington and Jacques Derrida [Chicago: University of Chicago Press, 1993], 150f).