By Rakefet Sela-Sheffy & Gideon Toury, editors
To talk of “Culture Contacts and the Making of Cultures” is in reality to discuss the elemental approaches in which cultures are shaped and maintained. there's a seeming contradiction among those agendas of inquiry: whereas “the making of cultures” inspires the research of targeted efforts invested within the construction of discrete social entities via marked cultural limitations, “culture contacts” demands the hunt of the fluidity of such entities and the consistent complicated move and alternate among them. yet in fact, it's the interaction among the 2 forces that underlie cultural dynamics in no matter what social environment, from (what appear to be) the main rigidly closed and “uncontaminated” ones to those who appear super heterogeneous and unsettled. it's the knowing of this multifaceted tradition dynamics because the equipment that makes social worlds going which has been the driver of Itamar Even-Zohar’s life-long scholarly undertaking, to which he has been dedicating his highbrow paintings for over 40 years, in thought in addition to an extended sequence of case experiences. Encompassing wisdom of such a lot of various cultures, their languages, histories and daily practices, from medieval Scandinavian and Russian conversing territories, via glossy nationwide Hebrew, Italian or Iberian cultures, to contemporary advancements in modern Iceland and Newfoundland, Even-Zohar has gathered vastly different facts, all of which underlie his large theoretical view of such techniques of socio-cultural formation, switch, consolidation or disintegration. This quantity of papers by way of Even-Zohar’s colleagues is an expression of the range of his paintings. [Rakefet Sela-Sheffy, “Introduction”]
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Extra resources for Culture Contacts and the Making of Cultures: Papers in Homage to Itamar Even-Zohar
Conversely, scarabs that already featured the New Kingdom back shape are apt to retain typical Canaanite motifs, such as linear-cut caprids combined with palm leaves. All of this is evidence that such workshops continued in the tradition of the Hyksos Period (Bietak and Jung 2007: 217). Motifs, such as the winged sun disk, survived during the 18th Dynasty and became commoner again in the Nineteenth Dynasty (Bietak and Jung 2007: 217-8). Obviously, the old iconography of Tronchère et al. 2008, have been able to confirm samples from the bottom of the basin as harbour sediments.
2002. Königliche Stelen in der Zeit von Ahmose bis Amenophis III. Monumenta Aegyptiaca 8. Turnhout: Brepols. M. 1822. " In Description de l’Égypte ou recueil des observations et des recherches qui ont été faites en Égypte pendant l’expédition de l’armée francaise, 11. Second edition. Paris: Panckoucke: 37-370. Leitz, C. ed. 2002. Lexikon der ägyptischen Götter und Götterbezeichnungen, III. OLA 112. Leuven, Paris and Dudley (MA): Peeters. A. H. 1979. Wheeled Vehicles and Ridden Animals in the Ancient Near East.
High chronology of Kitchen 2000, 49: 1640-1532 BCE (low chronology: 1637–1529 BCE). Recent investigations support a high chronology for the Middle and New Kingdom of Egypt, see Schneider 2008. 1 20 BIETAK: THE AFTERMATH OF THE HYKSOS IN AVARIS Ramses II. During the Hyksos Period, it turned into one of the biggest towns in Egypt and the Near East and had pivotal importance in trade in the Eastern Mediterranean. The end of Hyksos rule in Egypt from historical point of view is a subject rarely addressed in Egyptology.