By Christina Thompson
During this concerning, compassionate memoir, Christina Thompson tells the tale of her romance and eventual marriage to a Maori guy, interspersing it with a story historical past of the cultural collision among Westerners and the Maoris of latest Zealand. regardless of their major adjustments, Thompson and her husband, Seven, proportion an analogous feel of experience and a willingness to leave from the customs in their households and forge a existence jointly on their lonesome. Thompson explores cultural displacement during the a long time and the attention-grabbing background of Europeans within the South Pacific, starting with Abel Tasman's discovery of recent Zealand in 1642. but at its middle, this is often the tale of 2 those who meet, fall in love, and are eternally replaced.
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I sent a letter to the Canadian Radio-Television and Telecommunications Commission— Canadian broadcasting's governing body—asking about the rights of citizens to access the public airwaves. I got a very polite letter back say ing basically that the whole area was murky, that networks had some rights, individuals had some rights, the law was inconclusive on this point, blah, blah, blah. And that was that. I moved on to a career in doc umentary filmmaking and the free speech issue slipped to the back of my mind—until 1989.
5N\ FoR BEG1MNER5 Sidewalk Bubble^M ©W$ Cle^SuHen THE MANCHURIAN CONSUMER On America's Funniest Home Videos, two young men set up a high bench under the basketball hoop. Then one of them comes racing into the frame, leaps off the bench, stuffs the ball and exits stage left, triumphant. The second fellow tries to repeat the feat, with less luck. He barrels in, misses his footing and straddles the bench, hard. There is a roar of laughter. People in the studio audience are literally doubled over with mirth.
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